UnKindness Of Ravens

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Back Cover / Booklet Page 3

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UKORian Musical Scribble: (http://www.phydeau.org/ukor/) An informant lively calling himself the enthusiasm of winds breathing (a natural spy.) The rubber scrap that declares its wayside potential amidst playground brawling; a bloody nose the sustenance fountain eternal. The confusion of love a mother bestows on child, mate, or gown. Grounds are the approach of uneasiness and nothing is better but their exploration, and then only in explosives! We yawp in unrestrained license to express sound, and leave remorse behind. See a child's scribble: liberated movements of color, textures--the emissions of feeling, which may or may not be in immediate surety. Harmonics of subconscious and conscious. Where is sound found? Where is the aural equivalent of scribble? We frequently hear collage, yes--where the pieced placement of others' works form new wonders; but collage often lacks the earthy, human passion so adeptly communicated in music. Music respires surprise, excitement, melancholy, and ambiance for our space. We tune to that space--we provoke it in a communion of sound, founded in the moment of improvisation. List of Instruments (though not exhaustive): aluminum shavings, ashtray, bass, bongos, bottle-o-itchagen, cake pan, chopsticks (wood and metal), coins, cruncharoundaphone, criscolastic, tongues, drums, duct tape, panhandle, didgeridoo, dietocussion, guitar (electric and acoustic), harmonica, kazoo, UKOR natural beat algorithm, skin, metal scraps, Spirit-of-Juanita, pitchilbocks, Roland JV-30, coffee drum, spoons, violin (electric and acoustic), voices, bottlecap cardboard gourd rattle, waterbotafan, flute, wood whistle, glass.